opposition was encountered. It may be of interest to quote an anonymous correspondent in the Gentleman's Magazine (1829, part II) which shows how the leaven was at work even then.
"Some ten years since a Goth, by some untoward chain of circumstances, possessed sufficient influence with his brethren in the Chapter to induce that body to whitewash the church, and by way of ornament, and with a view to compensate for the loss of the original paintings on the groining of the choir destroyed by the whitewash, the said gentleman had the archivolt mouldings and all the lines of the building which were in relief, tastefully coloured in yellow ochre. The name of the perpetrator of this outrage on good taste and good feeling it is unnecessary to add, as he will never plan or design any further embellishment to the cathedral, but if any of his coadjutors in the daubing and smearing line have survived him, and still possess influence, I tremble for the effects of the present repair.
"The curious chantry of St. Richard, an object of veneration among Catholics even to our own days, and the elegant stone screen of the roodloft, have been literally plastered with whitewash, the rich sculptured bosses being converted into apparently unshapely lumps of chalk, and the flat spaces within the heads of the Norman arches of the nave, which are sculptured with scales and flowers, are almost reduced to a plane surface.... The removal of this rubbish would be a work of time; it should be gradually and effectually performed arch by arch, or its removal may carry away with it many of the sculptures it may conceal. This will certainly be the case if any London architect, with a contractor at his heels, sets about a thorough repair to be completed in a given time....
"The more ancient injuries which the appearance of the cathedral had sustained were, in the first instance, occasioned by the erection of a breastwork in front of the triforium, which concealed the bases and half the shafts of the columns; this might now be easily removed as the object of its erection, to protect from accident the spectators of the ancient processions, has ceased to exist. Since the Reformation a great portion of the nave has been fitted up with pews, the congregation